These boots are made for second lining

"Aww, Babygirl," the young man said sorrowfully, looking at my new sneakers sunk in muck, "you should have bought some boots."

When we lived in New Orleans, a rainy day at the New Orleans Jazz and Heritage Festival meant that people got muddy. Many went barefoot or wore shoes they threw away afterward.

This year, back home for six weeks of my husband's sabbatical, we discovered that boots were the practical and popular new choice—rain boots, gardening boots, shrimp boots, riding boots, hiking boots, even cowboy boots, anything that let people have a good time anywhere, no matter how deep the mud or water.

Stores, I discovered later, had ordered boots, lots of boots, when the forecast for JazzFest predicted rain, and people bought them out.

 Following are some photographs of just a few of the boots I saw at JazzFest.

The week after JazzFest ended, many porches held boots that had not yet been cleaned of their mud.

Ten tips for fun, productive conferences (chronic illness series)

Professional conferences and fan cons can drain even a healthy person physically and mentally. Some people routinely get sick ("con crud") after a conference because they wear themselves down taking advantage of every opportunity the conference offers. For a person with chronic illnesses, conferences are even more demanding and can be debilitating.

Ages ago, when I worked at Science magazine, I attended one or two conferences every month. Later, as a medical writer, I covered in-town medical conferences for various physician tabloids. Now as a fiction writer, I try to go to at least one writing conference or fan con every year. They remain difficult, but over the years, I have learned several ways to make the experience easier and to feel good so I enjoy the con.

1. When possible, I arrive the day before the conference starts. Doing so gives me a chance to recuperate from traveling, get a full night’s sleep, and check out the conference facilities so I don’t get confused and lost during the conference itself. Sometimes the conference has early registration set up, which lets me plan or refine my schedule.

2. I stay in the conference hotel. Yes, it’s usually more expensive. But doing so allows me to take a rest break or a nap anytime I want. Also, I can put meals on my room bill, relieving me of most of the burden of keeping track of receipts.

3. When I reserve the room, I request a refrigerator. It allows breakfast to be less rushed and makes it easier to stay hydrated and (if necessary) caffeinated.

4. I plan my conference schedule ahead of time. Most conferences and cons post the final schedule on the Website before the conference starts. I make a grid for each day, showing for each time period my first-, second-, and third-choice sessions and where they are. I also include the scheduled conference meals and appointments I’ve made to see friends and readings I want to hear. Many conferences extend their special conference rate to the days before and after the conference.

5. I take enough medication for an extra day or two. Sometimes, flights get cancelled because of weather. Sometimes, planes arrive late and one misses a connecting flight. I try to be ready if I have to spend an unexpected extra day away from home.

6. When possible, I travel with another person. Travel, especially plane travel, exhausts me and leaves me confused and disoriented. Traveling with a companion ensures I reunite with my luggage and get on the right shuttle.

7. I skip most evening events, including parties. Yes, I know that’s when most networking takes place, a major reason to attend a conference in the first place. But sleep is priority #1 for people with chronic illnesses. Also, a healthy person may be able to party all night and still be on the ball for a panel or talk the next day; I can’t.

8. I prepare for the panels I’m on before going to the conference. In general, I’m not good at winging it, so I would do this even if I were healthy. But with chronic illnesses, I can’t predict how I will feel on a particular day. Preparing ahead of time means I can do an adequate job on panels even if I’m foggy and confused.

9. I try to schedule nothing for the two days after I get home. I take three things for granted when I get home: 1. It always takes more time to unpack than I expect; 2. Urgent emails will be waiting; and 3. I’ll be too tired to go anywhere or work productively.

10. When I can, which is not often, I leave the day after the conference ends. No lugging heavy bags around on the last day, no long line to stand in to check out, no rushing to get from the last session to the airport, no forgetting something essential in the hustlebustle. 

Interview with novelist Anna Brentwood

Today my guest is Anna Brentwood, whose first novel, The Songbird with Sapphire Eyes (CreateSpace), recently debuted. I was especially interested in interviewing Anna because her historical novel was inspired by a long series of detailed dreams about the characters and their lives. 

Welcome, Anna, and congratulations on publishing your first novel!

Thanks for introducing and having me as your guest, Shauna. 

The Songbird with Sapphire Eyes takes place in the 1920s. Did your research upset your preconceptions of the era in any way? What part of your research most surprised you?

When I thought of the Roaring ’20s, I imagined it like an old movie: flappers, gangsters, people dancing to the Charleston, a light-hearted but very old-fashioned time. What I learned was that life in general back then was actually brutally hard and short and contained very few pleasures, especially compared with what we all take for granted today. 

I never thought about the fact that there was no such thing as civil rights, employment rights, or women’s rights and that people lived hard, worked harder, smoked incessantly, and drank continuously. Even if they were “abstinence” people, they got steady doses of alcohol, heroin, morphine, cocaine, and opium in their soft drinks, candy, or medicines. My presumption was that people were simpler then and that the world was less complex; that people were innocent and trusting and so much less jaded than we are today, but I discovered that the truth lies somewhere in between and the “good old days” were not all so good.

The people, places, and events of your novel came to you in a series of dreams. Were you able to verify the existence of any of them or of the jeweled songbird? 

My novel is populated with real people, places, and true events, and more of them matched or corresponded to the things I dreamt than I ever thought possible. 

I had no prior knowledge about Kansas where Hannah came from, but when I actually started doing the research to try and “match” what I remembered from the dream, more times than not, I was so accurate it gave me the chills. How did I know that the farms were generally small, 20- to 40-acre parcels and most produced wheat or cattle? That it wasn’t farfetched to be of German, Scandinavian, or Swedish extract? 

Very early in my process before the Internet was available, I sent letters to several local Kansas newspapers. I included a hand-drawn map and a description of the town I was looking for. I said I was researching for a book. I knew it had a livery, a post office, and a one-room schoolhouse. I wasn’t sure of the exact years, but gave a range. Several of the newspapers published my letter and I received 20 letters from people (mostly elderly) telling me I was describing the town where they’d grown up—all within the same area I’d felt drawn to on a map. 

How did I guess that Kansas City was the Sin City of its time? And how preposterous it sounded even to me that Hannah would meet an Italian gangster from Brooklyn, New York, in Kansas City, yet the research proved it possible. This actually helped me further pinpoint the time period because even pre-Prohibition, organized crime bosses were already organizing truck routes by meeting with other city bosses and politicians. Personally, I am a stickler for details and adore the research. Even writing fiction, I aim to stick as close to fact as possible. 

As far as my main characters—Hannah, Ray, Meg, Rosie, and Johnny—I was not really sure about their last names or the spelling of them, but when I first had the dream I spent a considerable amount of time in the library going through old newspapers on microfiche to see whether I could find out if any of them were real people. Amazingly, I did verify the existence of a young Johnny Gallo arrested for theft, but without exact dates and last names, locating the others proved too time consuming. To date, I have never located an image that matches the jeweled songbird Johnny gave Hannah as I saw it in the dream. 

Do you have a theory about why you dreamed about these people over and over again?

As a former artist, I know what it feels like to feel as if you are tapping into other creative energies, but this particular experience was so different. At first, I was convinced it had to be a past life memory because of all the things I knew that were true. I still cannot explain why or how I knew all of the things I did; however, there is also the theory that Hannah was a ghost and she wanted and needed her story told and “haunted” me. All I do know for certain is that she was very real to me. 

Around Halloween time, I was researching how to write ghost stories. I came across one piece of advice I disagreed with: Ghosts in stories aren’t interesting unless they are evil and have bad intentions. Personally, I prefer ghost stories in which the ghost retains some or all of its original personality. What do you think?

I believe ghosts are just beings that are not living in this dimension or density in a physical body anymore. The “ghosts” we come in contact with are what I call Earthbound. That means they are tied to the Earth, to an object, person, or event because they have unresolved emotions or attachments and they either refuse to leave or can’t let go yet to move on, so I agree with you. I think it would be limiting to decide that a ghost has to be evil to be interesting. That is like saying a living person has to be evil to be interesting. Whether living or dead, we all have the potential for good or evil and I doubt that ever changes.
 

What was your favorite part of writing The Songbird with Sapphire Eyes?
 

Writing is so personally challenging that wherever you are in the process, there are always new hurdles to surmount and you are always learning. That can be both frustrating and rewarding but with The Songbird With Sapphire Eyes, I enjoyed unwinding the puzzle of Hannah’s story using the clues I was given through the dreams. I loved being able to give myself over to the characters and immerse myself into that world. 

Why did you choose to self-publish your book, and what do you think the advantages and disadvantages are? 

I spent years pursuing the conventional publishing route before self-publishing. I was agented for several years, worked with a top-notch editor, went to work full-time and put writing aside, but eventually decided to keep at it. In the meantime, the publishing industry was exploding, and I was paying attention. Picking brains and learning all I could. When a book is too different, be it cross genres or unusual time periods or anything not fitting into an exact slot, it is harder to be conventionally published. That was the reason despite great interest that I didn’t get picked up.

Because the industry is changing so drastically conventional publishers would rather bet on a sure thing than take a risk on something that may or may not hit. With hundreds of agents and editors and publishers scrambling to find a way to fit themselves into the new publishing world order, it is even harder (and it has always been hard) for new authors and people drawing a bit outside the box to be picked up. 

That said, there are advantages and disadvantages to both routes. With self-publishing, you have more control over your product from start to finish, you can edit or change things, and the start-up costs are minimal. You have a more direct way to reach readers, a greater opportunity to retain more of your profits, and instant access to your own sales and tracking information. But with self-publishing all the work is on you, and there is a more of it because no one is helping you with your production or your marketing. 

And it is super important that you don’t put out a “home-made” or unprofessional-looking product. By that I mean, unless you are a great graphic designer or artist, hire someone who knows what they are doing. Also, your book should have been vetted by critique partners or groups, other writers, ideally some contest entries, and several readers, plus a professional editor or two before deciding your masterpiece is ready to be published. While this doesn’t guarantee perfection or success, it does make for a more professional effort, and the good news is that there are lots of reasonably priced experts in both design and editing now. 

As writers, most of us hate having to hawk our wares, myself included, but more than ever, authors are helping authors and there are fewer things more enjoyable than connecting with other writers to talk shop or meeting other readers and fans who read, liked and “get” your book. 

"Cloche Hat Walker," Harry Walker, photographer

What genres do you read most? Who are your favorite authors?

I read a little bit of everything, but mostly romantic suspense, paranormal, and mystery. I have so many favorite authors and the list is always growing, but some of my old favorites are Nora Roberts/J.D. Robb, Diana Galbaldon, Karen Marie Moning, Laurell K. Hamilton . . . and the list goes on and on. 

What writers have had the greatest influence on you?

Mercer Addison, Nora Roberts, Diana Galbaldon, etc.; the list is endless. 

How important have your writing friends been in your development as a writer?

They mean everything! If it weren’t for my critique partner kicking my butt and threatening to stop helping me with my first manuscript if I didn’t finish and pitch it, I might still be “working” on it. And authors’ helping other authors has never been so encouraged. I notice this with my conventionally published friends but especially amongst indie and self-publishing authors. Whether critiquing, commiserating, or exchanging information, whatever stage we are in the process, we can all relate to one another. And we all have to market, blog, and tweet, so why not share knowledge and resources? It’s a great support. 

Are there certain themes or topics you’re drawn to in your writing?

In The Songbird With Sapphire Eyes, I was questioning life and death and the purpose of life. Writing Hannah’s story gave me many ways to look at those topics and through her, the infinite possibilities. 

Whether we search for meaning in life or just for ourselves, we all go through life with hopes, dreams, and goals. We are always faced with choices. Choices fascinate me. Choices inevitably take us on paths we may or may not have wanted to be on, and they always lead to other experiences and choices. 

I am drawn to writing stories in which people are living real lives and are struggling, as we all do in life, to figure things out. I especially like stories with strong, powerful men or women who are passionate, flawed, and complex and, in some cases, epitomize the dichotomy between good and evil. I strive to write stories to entertain but also to teach me, and subsequently my readers, something personally relevant. 

What is your writing regimen? Would you recommend it to aspiring authors?

I have no set writing regimen anymore. When I first started writing, my children were young and I was able to be home, so my writing schedule began when everyone was out of the house three weekdays a week by 8:00 a.m. and ended at 4:00 p.m., when I had to go pick my kids up at the bus. I was able to make a set schedule. Now, it is always a struggle for balance between work, life, and all the constant interruptions and obligations. Between promoting my book and starting my latest project, I have been grabbing the time when and wherever I can, be it a break at work or a quiet evening or weekend hours at home. I am committing one set weekend day a week starting in March to immerse myself in my writing cave to finish my next book, but the only advice I can give any aspiring author is to remember that life is all about balance and you need to know going into it that there will always be things getting into the way. Be flexible, be determined; and even if you find only an hour or two a week to write, you will eventually have a finished product if you keep at it. 

What promotion methods have been the most successful for you?

I do social media: Twitter and Facebook. I belong to several local writing groups, reader and book forums, and online loops. I do occasional give-aways and promos and send out news releases. I email friends and family and often ensure their help to spread the word. (I have great family and friends who tirelessly support me!) I take workshops, go on retreats, and do guest blogs and signings whenever I can. The small, independent bookstores are always helpful, and I’ve gotten to personally know several of the owners and adore them; they are so supportive! I give out promo materials, flyers, and postcards and have another wonderful friend who helps me with marketing by calling on small bookstores and shops and is always brainstorming new ideas. I don’t know what works best yet, but I do know you have to work because doing something always spikes sales and interest better than doing nothing.

When will your next book come out, and what will it be about?

I hope to have it out sometime next year. It is the sequel to The Songbird With Sapphire Eyes and will take readers on a journey through the 1940s with Johnny Gallo’s son, wartime hero, playboy, and New York mobster Anthony Gallo.

Thank you for visiting my blog today, and best wishes on your writing!

Thank you. 

You can learn more about Anna Brentwood and The Songbird with Sapphire Eyes by visiting her Website at http://www.annabrentwood.com or by friending her on Twitter @annabrentwood or on Facebook at https://www.facebook.com/annabrentwood.

Anna’s book is available online at Amazon.com and Barnes & Noble.com, as well as by order from your favorite local bookstore. In Hillsboro, Oregon, it’s available at Arcade Book Exchange and Jacobsen’s Books and in Lake Oswego at Graham’s. 
 

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My blog is changing focus. It will still target writers, but in addition to interviews with authors, writing news, and posts about grammar, I'll be writing about combining writing with chronic illnesses, in particular, finding the time and the energy to write. Even if you don't have a chronic illness, many of these posts may be useful for you  because you work long hours at your job or have small children or otherwise have limited time, energy, and/or mental capacity to write. To learn more, see my post of 8 March 2013.
 

Change, it is acoming

Hawk in my yard watching birds at bird feeder

I turned in revisions to my fantasy novel Ice Magic, Fire Magic to Hadley Rille Books on 28 February (scheduled for release in September 2013) and hope I can get back to blogging more regularly now.

I said in a recent post that my blog would be changing somewhat. A temporary change is that I'll be spending spring in New Orleans and then, after a brief time back in California, in Bordeaux, France. So you can look forward to photos, comments on the literary scene, my misadventures with the French language, and other posts about my trips. Note to burglars: I'll have a housesitter while I'm gone, so don't waste your time showing up.

Member of greeting committee for burglars

A long-term change is that I will focus often on how writers with chronic illnesses can combine the ill life with the writing life. When I was younger and had fewer illnesses, I was able to work full time as a writer by making many adjustments. As I've gotten older, some illnesses have spawned others, so that my time has increasingly been spent on doctor visits, lab visits, renewing prescriptions, etc., and I've been struggling more and more in recent years to find time to write. In 2012, I wrote nothing new (although I did a lot of revision).

I took Kitty Bucholtz's class on organization for writers recently in hopes it would help. Not only did I pick up many good tips that should help me spend much less time looking for things (one side effect of my cognitive problems) and save me time elsewhere, but also I discovered the root of the problem. Kitty had us calculate the hours we had available for writing in 2013, starting by estimating and deducting the time dedicated to non-work-related Things That Must Be Done (paying bills, doing taxes, eating, sleeping, etc.)

When I added up the items in this category, which is where I put all my medical-related stuff, it came to more days than there are in a year. Talk about a moment of clarity! For the first time, I grasped that I could not merely tweak my life to find time for writing. I have to rethink my time from scratch.

I'm now ordering groceries on the computer and having them delivered (saves 1.5 hours a week, plus the money I would have spent on impulse purchases). I broke a small bone in my foot a month ago and have treated it at home myself (saved many hours of visits to the doctor and the X-ray lab). My husband now enjoys the satisfaction of preparing a couple of simple meals each week (saves an hour or two a week).

Burglars: Did I mention that coyotes prowl our yard?

Most important, I realized that if I want to write, shaving an hour here and two hours there is necessary but not sufficient. I will have to hire a personal assistant. With so many college students around here who'd be happy for some extra cash, it's stupid for me to waste time filing and making lab appointments and recording expenses in my business account book when I could be writing.

I've actually found a temporary assistant already; my housesitter during my trips to New Orleans and France could use some money for when she rents an apartment after leaving here, so I'll leave her a list of tasks to do if and when she feels like it.

What will I be talking about as I make this shift in my blog? I may talk more about my moment of clarity. Sometimes I'll go over basic time- and energy-saving methods for writers who are newly chronically ill (or, for that matter, have a new baby or a new job with a long commute or are new to writing in general). Sometimes I'll talk about some of the time savers I developed in recent years as my illnesses increasingly expanded to fill my life. Other times I'll talk about my quest to find a personal assistant, what problems I anticipate and what problems I encounter, what Uncle Sam expects if I have a personal assistant, and how it works out. Other times, I may throw out a problem and see what other people have done. Readers are welcome to suggest questions to be brainstormed.

Miss Snickerdoodles, who works at the birdfood store

Expect dark humor, suggestions both good and dubious (treating your own broken bones probably falls in the latter category), lists of helpful hints, encouragement that you deserve and can achieve a fully and satisfying life, and useful links and info for the newbie with a chronic illness. I was a medical and science writer for almost 20 years, so if I talk about medical matters, they will be well-researched and a good base for devising questions to ask your doctor.

What won't change: a focus on information writers will find useful or interesting. Pictures of Stuff In My Yard. Interviews with authors.

In fact, tomorrow (Saturday 9 March) I'll feature an interview with Anna Brentwood about her new historical novel, The Songbird with Sapphire Eyes. What is really cool about this novel is that she dreamed it first and wrote it after!

So please keep coming back to my blog. Even if you are healthy, you probably would like more time and energy to write. Please also tell your friends with chronic illnesses what I'll be doing so that they don't have to reinvent the wheel.

Clarion application deadline coming soon!

The deadline for applying to the Clarion Science Fiction and Fantasy Writers' Workshop is 1 March 2013 for the summer 2013 session, which runs 23 June to 3 August. Join 17 other people in six weeks of writing and critiquing under the leadership of six great teachers: Andy Duncan, Nalo Hopkinson, Cory Doctorow, Robert Crais, Karen Joy Fowler, and Kelly Link.

For more information or to apply, click on the graphic below:

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If you want to create your own Pulp-O-Mizer science fiction magazine cover, go to http://thrilling-tales.webomator.com/derange-o-lab/pulp-o-mizer/pulp-o-mizer.html.


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Changes coming to my blog soon. Stay tuned over the next week or so for my announcement.

The Next Big Thing blog hop

This is my contribution to The Next Big Thing blog hop, a branching pyramid-of-prose for authors to discuss their latest release or WIP. I was tagged by the amazing Liz Argall, one of my Clarion classmates.

I'll talk about two fantasy novels, both coming out this year.

from early draft of IMFM's back cover

What is the working title of your book? 

(1) Ice Magic, FIre Magic (known hereafter as IMFM)

(2) Shrine of the Heavens (hereafter, Shrine)

Where did the idea come from for the book?

(1) IMFM has its roots in several thoughts, one dating back to my childhood. (a) After I finished watching the "good Kirk, bad Kirk" episode of Star Trek, I was dissatisfied with the conclusion that someone who's all good can't be an effective leader . . .  or effective, period. IMFM was an exploration of an all-good person who is chosen leader and is surrounded by flawed people, some of whom want to kill her. (b) The phrase "servant of the people" rarely is accurate when used to describe American politicians. In IMFM, I created a leader who truly is everyone's servant. (c) I wanted to see whether I could write a romance (instead, I ended up with a fantasy with a romance subplot).

(2) Shrine was inspired by the liner notes of a CD of music from the court of King Alfonso X (Alfonso the Great), which talked about convivencia (Jews, Muslims, and Christians living together in harmony) in medieval Spain. I started researching convivencia and eventually learned that the CD liner notes exaggerated, but by then I was hooked on medieval Spanish history and the question of how people of different religions can live together, which has become even more urgent since 9/11 fractured the Peoples of the Book even more than they were when I wrote Shrine.

What genre does your book fall under? 

(1) IMFM is a fantasy with romantic elements.

(2) Shrine is an epic fantasy.

Which actors would you choose to play your characters in a movie rendition?
I watch only a few TV shows and rarely have time to see movies, so I'm not familiar with most actors and actresses. Making this question even more challenging is that few of my characters are Caucasian looking, some are short, and some are plump. So even if I saw more TV shows and movies, I probably couldn't cast my books from members of the Screen Actors Guild. Two exceptions: I think Alexander Skarsgård (Eric Northman on True Blood) would make an excellent Urushi in the film version of IMFM, and the young Ricardo Mantalban would be an acceptable Celatu in the same film. Oh, and Glen Helen Nature Preserve, John Bryan State Park, and/or Clifton Gorge State Nature Preserve (all near Yellow Springs, Ohio) are perfect for the role of the sentient land of Veridia in IMFM.

early draft of cover of Shrine

What is the one-sentence synopsis of your book?

(1) IMFM: Fila’s strong magic destines her to be Servant of Enchantment, the protector of the land of Veridia and its two peoples, the magic-gifted Guardians and the nonmagical Toilers; but when jealous relatives and an ancient evil join forces against Fila, who will protect the protector?

(2) Shrine: City-bred telescope merchant Joz must lead a caravan of pilgrims across the desert to the distant Shrine of the Heavens and successfully complete a crucial business deal with religious leaders there, or his father will choose one of Joz’s brothers as his heir.

Will your book be self-published or represented by an agency?

(1) IMFM will be published by Hadley Rille Books in summer 2013.

(2) Shrine will be self-published after another couple rounds of revisions.

How long did it take you to write the first draft of your manuscript?

(1) IMFM took a year or two.

(2) Shrine took three or four years.
Both books went through 10 to 15 heavy revisions because the first drafts needed so much work—typical for most fiction I write.

What other books would you compare this story to within your genre?  

(1) The books closest to IMFM are probably those put out by Harlequin's Luna line in its first year or two. 

(2) The three authors best known for writing fantasy with little or no magical elements are Guy Gavriel Kay, K.J. Parker, and Ellen Kushner. Shrine was probably most inspired by Kushner's Swordspoint, one of my favorite books.

Who or what inspired you to write this book?
The precise inspirations for each were given in my answers to the second question. Many, many people inspired me to become a writer, starting with my aunt Janet Louise Roberts.

What else about your book might pique the reader’s interest?

I've gotten tired in recent years of fantasies set in generic fantasy landscapes. From the beginning, Shrine was set in a land based on the geography, crops, natural materials, etc., of southern Spain and Israel. IMFM originally had a generic fantasy landscape—I started it during a Book In A Week challenge, so that was an easy default—and now is set in a place based on primeval southwestern Ohio. I chose the area because I grew up there, but it turned out to be a great place for a fantasy because of its beauty; dense, ancient forests (which partly remain in IMFM); interesting geography, from gentle, rolling hills to hilly areas with outcrops of rocks to the steep hills and ragged cliffs overlooking the Ohio River; and bountiful, diverse wildlife and plant life.

Now, I tag these authors to answer these same questions next Wednesday:

• Lesley Smith in England, a friend of a friend who wanted to take part in the meme and whom I look forward to getting to know better
• Karen Simpson in the U.S., author of the novel Act of Grace and fellow quilter and history lover
• Jenny Blackford in Australia, another lover of history and a fellow Hadley Rille Books author

 

Amber Kallyn's Birthday Bash blog-hop contest

From author Amber Kallyn:

I love the holidays, but not necessarily having my birthday fall smack dab in the middle of them. But this year, I’d like to do something special for my readers. Over 25 authors and bloggers have come together to celebrate my 24th birthday (I won’t mention how many years I’ve turned 24 again).

We have some wonderful prizes, and all you have to do is leave a comment at the participating blogs to win. Easy.

Also, my novel Bloodstorm (Heart of a Vampire, Book 1) is free right now for an early present:
http://amzn.to/QBFVsR
  

Grand prize 

One commenter will win their choice of a NOOK Simple Touch™ with GlowLight or a Kindle Paperwhite (up to $140 value).


Other prizes

Ebooks from the following authors:

• Paloma Beck (Coming Home, contemporary romance)
• Jami Grey (Shadow’s Edge and Shadow’s Soul, urban fantasy)
• Zrinka Jelic (paranormal romance)
• Christine Fairchild (An Eye For Danger, romantic suspense)
• Marian Lanouette (If I Fail, mystery)
• Sylvia Hubbard (five ebooks)
• Kenra Daniels (Safe Heart and Kassern, paranormal romance)

A $40 Gift card to either Amazon or Barnes & Noble

Some of the other blogs taking part will have additional give-aways.


How to win
 
The contest is open from Wednesday, December 19, to Saturday, December 22. Hop to all the blogs. The winner will be chosen from among those who comment on participating blogs. Leave a comment at each blog for additional entries to win. The winner will be drawn on Sunday, December 23.

Participating blogs

• Cynthia Arsuaga http://romanticwordsbycynthia.blogspot.com/?zx=a37b77d89b4dbb62
• Gemma Murray http://authors.coffeetimeromance.com/gemmakm
• Keira Kohl http://keirakohl.com/blog/
• Kenra Daniels http://kenradaniels.com/
• Lynn Chantale http://wlynnchantale-decadentdecisions.blogspot.com/
• Elise Vancise http://gladiatorspen.blogspot.com/
• Mona Karel http://mona-karel.com/
• Lynda Kaye Frazier http://lyndafrazier.blogspot.com/
• Sylvia Hubbard http://sylviahubbard.blogspot.com/
• Marian Lanouette http://www.marian-l.blogspot.com/
• Jami Gray http://jamigray.com/
• KE Saxon http://www.kesaxon.blogspot.com/
• Harlie’s Book Blog http://harliebooks.blogspot.com/
• Dianne Venetta http://diannevenetta.com/
• Christina Ricci http://happilyeverafter-cgtetreault.blogspot.com/
• Cassandra Carr http://booksbycassandracarr.com/wordpress/
• Deb Sanders http://debsanders.com/
• Shauna S. Roberts (You are here now.)
• Danita Minnis http://danitaminnis.danitaminnis.com/
• Kelly Whitley http://kellywhitleybooks.blogspot.com/
• Sarah Grimm http://www.authorsarahgrimm.blogspot.com/
• Zrinka Jelic http://www.bondedbycrimson.blogspot.com/
• Sherry Gloag http://sherrygloagtheheartofromance.blogspot.com/
• M. S. Spencer http://msspencertalespinner.blogspot.com/
• Christine Fairchild http://editordevil.blogspot.com/
• Paloma Beck http://romancebeckons.blogspot.com/

Amber’s information
Website http://www.amberkallyn.com/
Twitter http://twitter.com/AmberKallyn
Facebook http://www.facebook.com/AmberKallyn
Goodreads http://www.goodreads.com/amberkallyn
Books:
Bloodstorm (Heart of a Vampire, Book #1) http://amzn.to/QBFVdR currently free
Hungerstorm (Heart of a Vampire, Book #2) http://amzn.to/NFvW6E

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Happy birthday, Amber, and thanks for including my blog in your contest.